In the Studio

WSQ Fall/Winter 2016 Illustration

I'm excited to share the spread I did for Washington Square, the alumni magazine for San Jose State University. I was contacted about an article they were doing on Moss Landing Marine Labs celebrating their 50th anniversary. The school administers the Masters of Science program for California universities in northern and central California. 

I received a brief and worked through some ideas. There was a three week turnaround from when they initially contacted me until the final files were due. I kind of love a short deadline. It makes me a little crazy, but I also power it out and get it done.

They highlighted the areas they wanted me to focus on: vessels and sharks. I love painting boats and at first thought I would just paint some spot illustrations of their different vessels and other marine life. 

After researching about Moss Landing Marine Labs, some fun loose sketches. I really liked the way the boats turned out. I love drawing with my paintbrush, without starting with a pencil. I feel like it makes the paintings really fresh. I also tested out a variety of blues to see which shades I might use. 

More sketches. As I researched, I was really interested in their Point Sur boat. It has been all over the world, including Antarctica, and I wanted to include the scope of that in the spread. I also wanted to include the Ninja Lanternshark since a student of MLML named Victoria Vasquez discovered and named it. Plus, it's a pretty cool species that looks quite sinister and glows to disguise itself.

I sketched the sign post at Moss Landing. I really wanted to include it, but it just didn't make sense in the final. 

As I started to think of ideas, I liked the idea of the illustration being from the ship's bow. The editor and creative director expressed interest in both the article and the issue having a look of deep exploration, to boldly go where no man has gone before, so I thought I could accomplish that by having the reader feel like they were the explorer. You can see above the rough idea of being on a boat and looking at Moss Landing Marine Labs.

My presentation of imagery for the first draft meeting included a variety of color spot illustrations to show my style and a black and white image to show layout. The loved it, a huge sigh of relief.

If you look back on the first photo, you can see my original layout draft on the left. They loved the initial two sketches, but asked that the deep sea diver be moved to the second page. They mentioned they wanted the feeling of going wide and deep. I thought being on the boat with Moss Landing on the left and Antarctica on the right would convey that well. The second page of the spread would express going deep with the deep sea diver and the Ninja Lanternshark below. They live at 1,000 feet below, so it worked perfectly.

Here's the second draft. I moved the whale tail to the right, since it was too close to shore in the first draft. It was great to get really positive feedback from the staff and creative director. 

One of the biggest challenges was making sure there was enough space for the text of all 50 facts. I kept wanting to take over the paper and make it a whole painting. 

The creative director asked me to illustrate the title and the numbers for the spread. I cut out the words and played around with different layouts and angles of text. I ended up scanning the letters and numbers and cleaning them up in Photoshop and then they were vectorized in Illustrator. 

These are the final paintings that were used. I think some of the colors surprised me. The kelp is a brighter green than I thought it would be, but I think it works since it does glow when the sun shines through it from above.

In addition to the Moss Landing article, they asked me to illustrate their donor envelope. SJSU has a program where dogs....This is the final. I sketched it quickly once in my sketchbook and then this is the final, which of course got scanned and cleaned up. The great thing about illustration work is that your "finals" can look like the above and digital editing takes out all the marks and stains on the paper. 

And the printed final...

Dog envelope 1.jpg

Here's one of the dogs for the giving envelope.

And the second dog. SJSU has therapy dogs in residence.

They asked to use my full moon painting for their memorial page. 

And the final Moss Landing spread...

It was fun to contribute to the Fall/Winter 2016 issue of Washington Square. I spent so much time on this campus: as an undergrad and grad student, then I worked at the Dr. Martin Luther King, Jr. Library for 5 years. It was an honor to make this work for SJSU. 

New Painting: Dinner Party

Lately, I have been working on a new gouache dinner party painting. It's for an art show with the theme of food and love at Studios on the Park in Paso Robles. Since I love food, I had plenty of ideas for the show. The one idea I knew I was going to carry out was a dinner party viewed from above. I equate food and love with cooking and eating with those dear to me. I wanted the painting to feel personal, yet relatable to others. The final painting combines two memorable meals: a dinner party I hosted with 7 others and a spontaneous dinner in Cadiz, Spain. I'll explain in further detail, but let's start at the beginning. 

I knew I wanted the table to take up the whole composition. I knew I wanted a table runner so I added that early. After I had some of the bowls and plates drawn in, I photographed some models (myself and Bryan) to get the hand gestures right. 

Bryan modeling. He was so ready and willing!

Bryan modeling. He was so ready and willing!

Bryan made a great model. I shot him from above my home work area. You can see I was antsy to lay down some paint, so I started painting in the wood salad bowl and servers.  

Using myself as a hand model.

Using myself as a hand model.

I had a lot of figuring out to do. After I realized I wanted to reflect a specific dinner party with myself and 7 friends (4 couples) I had to include 8 people eating at the table (4 women, 4 men). Painting a dinner party created some challenges. Had dinner started already? Were they on the first, second helping? What is each person doing? Eating, drinking, pouring, serving, slicing. I had to create a little scenario for each person at the table. The initial sketch took a little time to plan out. It wasn't highly detailed, but I did have to lay in the hand positions, plates and bowls. 

I was again antsy to get some details in so I started working on the food. I decided to darken the wood grain so the table runner and other details would stand out. You can see here how I taped the watercolor paper to a scrappy piece of foam core. I often write notes in the tape. I noted whether they were male or female and what might be on their plates. I also had to think of where their knives and forks were: resting on their plate, in their hand, etc. 

Here you can see I removed the napkins next to the plates that I had in the initial sketch. As I worked, I realized if they were eating dinner, the napkins would be on their laps. I really wanted to show the napkins because I thought the rectangular shape next to the plate would make it more interesting, but I did want to keep it realistic so they were left out. 

Plaza Mentidero locals

Plaza Mentidero locals

I mentioned the two memorable meals that inspired this painting. The dinner party I had at my house with seven good friends (more than a friend Bryan, Anabella, Cortez, Nate, Lucia, Dave and Misa) and a meal in Cádiz, Spain. In Spain, between my apartment and art studio was La Plaza del Mentidero. Although Cádiz has many plazas, this one was really special to me since not only was it convenient, but the restaurant owners quickly began to know me as I popped in for tapas or walked by and said hello. Two particular restaurants were my favorite: Mmmm! and La Mentirosa. They were across the plaza from one another and the cooks and owners were good friends. One night when I was at Mmmm! (often called Silvio's, since he was the owner), the cooks and servers came over with a pan of fish and potatoes. I was sitting by myself in the corner and they made me come over and join them. They were such a generous group, so welcoming and kind even though I had only been there for a month. 

Here is my version of the pan of fish and potatoes, to reflect the meal in Cádiz. I love the way the fish came out with the tail hanging off the plate, simple lines to shape it and the shadow. It is my favorite way to paint: intuitively and without thinking, diving in and doing what feels right. I used some cross hatching, a technique I have not used for awhile.

When I'm not working in my studio, I paint at home. When I paint at home, my cat Oscar inevitably walks across my paintings. 

The final dinner party painting. 

The final dinner party painting. 

You can see the different personalities and appetites here. For example, the woman at the lower left corner is a vegetarian. I wanted it to feel somewhere between the first serving and second and the fish just came off the grill. Everyone either has their mouth full or they are talking and laughing. 

I still have other food painting ideas. Like the time a group of friends and I hiked up to Mission Peak on a full moon and picnicked at the top. Or when my dad makes arroz con pollo or gallo pinto. Or when my mom would make tea and snacks for us in the garage on rainy days when we were kids. 

What's a memorable food experience you've had? I'd love to hear about it in the comments below.

31 Days to Spain - Week One Wrap Up

This post is jam-packed with goods! Daily art from the last week AND a link to the big studio clean up to prepare for my sale next week. If you haven't heard about the studio sale, you may want to sign up for my newsletter so you can hear this kind of news directly in your inbox AND get the extra special discount on my studio sale. You can sign up at the bottom of this page.

Let's get to it!

October 1st

The first day of my daily art project was featured in my previous post on what art supplies I will be bringing to Spain. They may change, but it was good to get started thinking about it.

Art supplies for my art residency

Art supplies for my art residency

October 2nd

For Day 2, I completed a montage painting of Iceland. This is something new that I am offering. You send me photos of your most memorable trip and I create a group of images for you to remember it by. The art measures 11x14. You can find the listing in my shop

Scenes of Iceland 

Scenes of Iceland 

October 3rd

I wanted to come up with a personal way to thank my customers when they order from me online. I decided to carve this block print "From the Studio of Frances Marin" so I can include it with every order and handwrite a thank you on the back. Usually, I write a note, but I like having this stamp on the other side now. I love personally thanking all of my super customers! I just sent off my first order with one in it!

From the studio of Frances Marin

From the studio of Frances Marin

October 4th - Studio cleanup and Dream Studio Sketch

My last post covered the start of my studio cleanup AKA Studio Redo. After spending all day working on it, I went home and sketched up how I dream for this studio to look when I'm done for Day 4. Of course, my real dream studio would probably be up in the mountains or by the sea or a lake, but I am quite grateful for this awesome little space for now.

The gold brick wall will remain for now.

The gold brick wall will remain for now.

October 5th

I am struggling working on a painting of my old bedroom/studio from age 23, so instead I painted the first bedroom I moved into after moving out of my parents' house at the age of 19 for Day 5. It was a single mattress on the floor with purple sheets, stacks of books everywhere and a Bob Dylan poster above my bed. The room was really tiny, so that's about all it could fit. 

My modest little first adult bedroom. 

My modest little first adult bedroom. 

October 6th

I am working on a painting for a show about your favorite place. The concept can be from childhood or now. My first thought was the sweet white fringed hammock in my backyard. I may not stick with this theme, but for Day 6, I thought it was just fine.

Ah, the old hammock

Ah, the old hammock

October 7th 

You may have heard the news: David Lynch is bringing back Twin Peaks 25 years later. Us rabid fans are thrilled with this news. I sketched out his wonderful face and some snippets of the show for Day 7. So looking forward to the return of Twin Peaks in 2016!

David Lynch and imagery of Twin Peaks.

David Lynch and imagery of Twin Peaks.

That's all for this week! 





Studio Redo!

I knew I was going to head into my studio to clean it up Saturday. It has been cluttered and overwhelming lately. 

A before shot of the studio. Dirty and disorganized.

A before shot of the studio. Dirty and disorganized.

What I didn't realize is that I was going to repaint it. I certainly didn't dress for it (ruined my fave vintage shorts) and it was in the 90's so I broke a really good sweat. I moved into the space with it already painted this fairly obnoxious shade of yellow. I decided to repaint it awhile back, I just wasn't sure when I would get around to it. I wanted my studio very simple (and not bright popcorn butter yellow!) so I could focus on the artwork. After working in this studio for about 3 years, I thought it was time. 

Up on a wobbly ladder, precariously painting in sandals.

Up on a wobbly ladder, precariously painting in sandals.

See what I mean about this yellow?!

See what I mean about this yellow?!

There are other aesthetic issues with the space, including the way the wood paneling was painted over with a couple of inches of wood showing. That black cord is for my ceiling light and isn't particularly lovely either. I'm going to find a solution for that sometime soon. As you can see, the yellow paint was applied in some sort of faux textured style too. Yuck! It's gotta go. 

A big mess. 

A big mess. 

Because brick is more time consuming to paint, I decided to try leaving the brick wall gold for now and see how I feel about it. By day two, I realized that I had just enough white paint to cover only three walls, so it worked out that way anyway. 

Already an Improvement!

Already an Improvement!

I thought I was done with manual labor for the day... However, I went home and after relaxing for a few hours, decided to clean up the back area of the yard. I have been dreaming that this area would become another art studio or a usable workspace and storage for art and carpentry projects. It's such a nice space, minus all the thorny vines, endless spiders and filth. There's even a built-in table and electricity back there! 

Next project...

Next project...

Moonrise over my broom.

Moonrise over my broom.

I worked on this area until the moon came up. I even got up on a ladder to clean off the roof. That white corrugated roof? Covered in leaves and caked in dirt before I worked on it. 

All in all, a good hardworking weekend! 

In cleaning out and dressing up the studio, I had some pretty amazing insights. For one, I was reminded of how much I love manual work: painting, being on a ladder, removing nails, moving furniture around, sweeping out rooftops and gutters. Two, I realized that as I work through projects and challenges, I absolutely love the process of figuring things out and using my intuition to see what is or isn't working. Three, the feeling of renewal from moving things around is so rewarding. When I was a kid, I shared a room with my sister. When it got messy, I would kick her out, close the door and go buck wild moving furniture and organizing it my way. I'm sure she loved it since I did most of the cleaning. I then surprised her at the end of the day with a brand new room. I think I did it because I always have to be making or designing things AND because I love surprising people. 

A sneak peek on how it's looking so far. I am sooo happy about it. 

A sneak peek on how it's looking so far. I am sooo happy about it. 

Stay tuned for more progress next Monday!

Also, if you haven't heard, I'll be having an art sale next week, so I'll be needing to go through old art, newer art and supplies to get it ready. If you want a reminder about the sale, sign up for my newsletter and you will be emailed about the details. Otherwise, follow along on Instagram for updates.